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| Caccia notturna, Paolo Uccello ca. 1460 (Ashmolean Museum, Oxford) |
«The hunt was a courtly metaphor for the pursuit of love. The hunter — the male rampant. The hind or deer — the defenceless female. But in the game of desire, the chase is so much more uncertain. Is the deer fleeing for her life, or leading her love away deeper into danger? The hunter doesn't know.»
— Lewis, The Point of Vanishing, guião de Paul Rutman
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