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| Elena Dorfman, Fandomania: Characters & Cosplay, 2007 |
Virtudes e pecados, dor e prazer, temas banais. O seu e o seu contrário. Depois veremos melhor.
sexta-feira, 14 de fevereiro de 2014
quinta-feira, 13 de fevereiro de 2014
quarta-feira, 12 de fevereiro de 2014
terça-feira, 11 de fevereiro de 2014
The Night that Anna Karina Fell In Love with Jean-Luc Godard
It was a strange love story from the beginning. I could see Jean-Luc was looking at me all the time, and I was looking at him too, all day long. We were like animals. One night we were at this dinner in Lausanne. My boyfriend, who was a painter, was there too. And suddenly I felt something under the table – it was Jean-Luc’s hand. He gave me a piece of paper and then left to drive back to Geneva. I went into another room to see what he’d written. It said, “I love you. Rendezvous at midnight at the Café de la Prez.” And then my boyfriend came into the room and demanded to see the piece of paper, and he took my arm and grabbed it and read it. He said, “You’re not going.” And I said, “I am.” And he said, “But you can’t do this to me.” I said, “But I’m in love too, so I’m going.” But he still didn’t believe me. We drove back to Geneva and I started to pack my tiny suitcase. He said, “Tell me you’re not going.” And I said, “I’ve been in love with him since I saw him the second time. And I can’t do anything about it.” It was like something electric. I walked there, and I remember my painter was running after me crying. I was, like, hypnotized – it never happened again to me in my life.
― Anna Karina
segunda-feira, 10 de fevereiro de 2014
Para Foucault, creio, na ars erotica tendente ao prazer é inevitável a existência de um regime disciplinar e punitivo
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| Apollonia Saintclair |
«Discipline 'makes' individuals; it is the specific technique of a power that regards individuals both as objects and as instruments of its exercise. It is not a triumphant power...it is a modest, suspicious power, which functions as a calculated, but permanent economy.»
― Michel Foucault, Discipline and Punish: The Birth of the Prison«[…] l’aveu est un rituel de discours où le sujet qui parle coïncide avec le sujet de l’énoncé; c’est aussi un rituel qui se déploie dans un rapport de pouvoir, car on n’avoue pas sans la présence au moins virtuelle d’un partenaire qui n’est pas simplement l’interlocuteur, mais l’instance qui requiert l’aveu, l’impose, l’apprécie et intervient pour juger, punir, pardonner, consoler, réconcilier […].»
― Michel Foucault, Histoire de la sexualité, La volonté de savoir
domingo, 9 de fevereiro de 2014
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